**Hamdan Ballal** is a Sudanese filmmaker and an emerging figure in contemporary Sudanese cinema. His work stands out for its profound exploration of his country's society, often with a critical eye and a touch of humor.

His most significant works include ‘African Mirror’ (2019), a documentary on post-colonial cultural identity and the collective imagination, and the satirical short film ‘The Virgin, The Cop & I’ (2020), which ironically addresses social and religious dynamics.

Ballal favors a realistic approach, frequently employing non-professional actors to lend authenticity to his narratives. His style explores social contradictions, traditions, and the challenges of the modern world, offering an intimate glimpse into Sudanese life and establishing himself as a significant voice in emerging African cinema.