**Robert Bresson** (1901-1999) was an influential French filmmaker, renowned for his rigorous and minimalist style. His cinematic vision, which he termed "cinematograph," rejected conventional drama, privileging an expressiveness derived from the use of non-professional actors (whom he called "models"), precise movements, diegetic sounds, and essential dialogue.

His films explore themes of redemption, imprisonment, grace, and the search for meaning in an often indifferent world, placing a deep emphasis on spirituality and interiority. Among his most important works are: *Journal d'un curé de campagne* (1951), *Un condamné à mort s'est échappé* (1956), *Pickpocket* (1959), *Au hasard Balthazar* (1966), and his final feature film, *L'Argent* (1983). Bresson is considered one of the undisputed masters of modern cinema.